Review: Jesus Christ Superstar – Melbourne, Saturday 29 March, 2pm Matinee Starring Michael Paynter as Jesus Returning to Jesus Christ Superstar after more than five decades, my last encounter being the original London production in 1972, I was eager to see how this timeless rock opera had evolved. Accompanied by colleagues from the clinic—avid followers who’ve attended various Australian renditions featuring renowned local talents—I approached the 2pm matinee at Melbourne’s Princess Theatre with a blend of nostalgia and curiosity. This production was undeniably spectacular, yet it cast a darker, more somber tone reminiscent of medieval mystery plays. This stood in stark contrast to the original’s lighter, more minimalist approach. The emphasis on shadow and symbolism added depth but also a heaviness that diverged from the narrative clarity I fondly remembered. Vocally, the cast delivered powerful and dramatic performances. Michael Paynter’s portrayal of Jesus was emotionally charg...
“Fiat” In the hush of ruined stone and lilies’ breath, He kneels—bare feet upon cracked earth, Not for conquest, nor for praise, But to bear a message older than time. She, cloaked in quiet blue, No crown, no veil, no trumpet sound— Only the steady gaze of a girl Who listens, and then says: yes . No questions. No falter. Just the unshakeable stillness of grace. And he—Gabriel— Stilled not by the words he delivered, But by the wonder of her reply. He looks upward, Bathed in the golden beam of his Master’s light, And knows: He has pleased the One who sent him.